3D fernseher66
Member Group:  Members
Ignore Member
No Photo
Member photo does not exist
 
Communications
URL
http://fernseher14p.page.tl/
Email Address
Email Console
Private Message
Send Private Message
AOL IM
ICQ
Yahoo Messenger
MSN Messenger
 
Personal Info
Location
Occupation
Interests
 
Statistics
Member Group:
Members
Total Weblog Entries
0
Total Comments
0
Member Local Time
November 16, 2024  12:29 AM
Last Visit
April 16, 2011  01:08 AM
Join Date
April 16, 2011  01:05 AM
Most Recent Entry
Most Recent Comment
Birthday
 
Bio

3D fernseher
Led-tv
Samsung 3D

LED MEETS TV
In video displays, LEDs are now used in several different ways. For the most part, they serve merely as a light source rather than as a way to reproduce individual

pixels of video. But they can also produce images directly, rather than just working in tandem with other display technologies such as LCD.
For now, the video industry uses LEDs primarily as a CCFL backlight alternative for LCD panels. LED-driven LCD sets first appeared about 2 years ago, and they have

since taken over much of the high-end LCD TV market. However, the cost is still high and overall market penetration is low; they currently account for only about 3

percent of total LCD TV sales.
LEDs have three general advantages over CCFLs: They’re more energy-efficient, they allow for a slimmer chassis, and they deliver a wider color gamut (or range of

available colors). They can have other advantages, too, depending on how the TV is designed.
Some confusion has occurred in the labeling of these LED-driven TVs, which could fairly be called LED/LCD TVs. Samsung has heightened the confusion by labeling these

displays LED TV, which most video experts consider a misleading moniker. Generally, a true LED TV is defined as one in which the pixels are formed from individual

LEDs. Each pixel is self-illuminating and requires no backlight.
True LED TVs do exist — most of the large-format displays you see in ballparks and used as digital signage are made from arrays of thousands of LEDs, which are often

similar to the 5-mm LEDs your local RadioShack stocks in the “dork drawers” at the back of the store. The new Organic Light-Emitting Diode (OLED) TVs are also true LED

TVs.
The “Triluminos” full-array LED backlight found in certain Sony LCD models uses separate red, green, and blue LEDs — an arrangement that can deliver an increased

color gamut over a white LED array.
FULL-ARRAY LED: THE STATE OF THE ART?
LED/LCD TVs come in two basic varieties: fullarray (which some manufacturers simply refer to as backlit) and edge-lit.
In a full-array TV, LEDs are positioned directly behind the LCD panel in rows, with the LEDs typically spaced 1 to 3 inches apart. A diffuser panel between the LED

array and the LCD panel spreads out the light so that the screen gets a smooth, consistent field of illumination.
This arrangement offers the potential for gigantic performance advantages. The LEDs can be dimmed individually or in small groups. This process, called “local

dimming,” allows for LEDs behind the dark parts of a picture to be run at a lower intensity, so the blacks and dark grays look darker while the brighter parts of the

picture stay the same. The effect is a huge increase in contrast, which has historically been a weak point for LCD TVs. (Local dimming is impossible with CCFLs because

they run the entire length of the screen.) Consequently, the newest full-array LED/ LCD models match or even surpass the contrast of plasma TVs.
However, local dimming has some limitations. A large LED/LCD TV might have an array of roughly 1,000 LEDs. That means each LED backlights about 2,000 pixels in the LCD

display panel on a 1080p-rez TV. Furthermore, many sets control the LEDs not individually but in blocks of perhaps five or 10 LEDs. Obviously, with so many pixels

being illuminated by so few LEDs, it’s impossible to achieve precise transitions between high-brightness and low-brightness areas. This imprecision can result in an

artifact called “blooming”: white halos that appear around the edges of bright onscreen objects silhouetted against a dark background — a white rocket floating through

black space, for example. Manufacturers can combat blooming by increasing the number of LEDs in their sets’ backlight array, decreasing the number of LEDs in each

control block, refining the drive electronics for the LEDs, and increasing the native contrast of their LCD panels. Newer full-array TVs show less of this artifact,

but it still exists.
  The above pictures illustrate the local dimming process at work in an LCD TV with a full-array LED backlight. Various “zones” in the LED backlight can be either

dimmed or shut off completely to track brightness variations in the image. The process, which unfolds on a continuous, dynamic basis, goes far to enhance picture

contrast.
Another advantage of full-array LED/LCD TVs is improved picture uniformity. Because the screen is lit by hundreds or thousands of LEDs instead of 20 or so CCFLs, you

don’t see the gaps that are sometimes visible between CCFLs. (This artifact, which is often referred to as screen “clouding,” crops up regularly in our reviews of

standard, non- LED-based LCD TVs.)
Most manufacturers use white LEDs in their arrays. However, for some of its LCD TVs Sony instead uses groups of four closely spaced color LEDs: two green, one red, one

blue. (The green, red, and blue light combine to make white.) Sony has trademarked this technology Triluminos. The advantage is that the exact colors of red, green,

and blue can be chosen independently to give a potentially wider color gamut than a TV using white LEDs. However, Triluminos is more expensive to implement than a

white LED array, and other manufacturers have been able to meet or exceed the HDTV color gamut specifications using just white LEDs.