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3D fernseher LED MEETS TV pixels of video. But they can also produce images directly, rather than just working in tandem with other display technologies such as LCD. since taken over much of the high-end LCD TV market. However, the cost is still high and overall market penetration is low; they currently account for only about 3 percent of total LCD TV sales. available colors). They can have other advantages, too, depending on how the TV is designed. displays LED TV, which most video experts consider a misleading moniker. Generally, a true LED TV is defined as one in which the pixels are formed from individual LEDs. Each pixel is self-illuminating and requires no backlight. similar to the 5-mm LEDs your local RadioShack stocks in the “dork drawers” at the back of the store. The new Organic Light-Emitting Diode (OLED) TVs are also true LED TVs. color gamut over a white LED array. array and the LCD panel spreads out the light so that the screen gets a smooth, consistent field of illumination. dimming,” allows for LEDs behind the dark parts of a picture to be run at a lower intensity, so the blacks and dark grays look darker while the brighter parts of the picture stay the same. The effect is a huge increase in contrast, which has historically been a weak point for LCD TVs. (Local dimming is impossible with CCFLs because they run the entire length of the screen.) Consequently, the newest full-array LED/ LCD models match or even surpass the contrast of plasma TVs. display panel on a 1080p-rez TV. Furthermore, many sets control the LEDs not individually but in blocks of perhaps five or 10 LEDs. Obviously, with so many pixels being illuminated by so few LEDs, it’s impossible to achieve precise transitions between high-brightness and low-brightness areas. This imprecision can result in an artifact called “blooming”: white halos that appear around the edges of bright onscreen objects silhouetted against a dark background — a white rocket floating through black space, for example. Manufacturers can combat blooming by increasing the number of LEDs in their sets’ backlight array, decreasing the number of LEDs in each control block, refining the drive electronics for the LEDs, and increasing the native contrast of their LCD panels. Newer full-array TVs show less of this artifact, but it still exists. dimmed or shut off completely to track brightness variations in the image. The process, which unfolds on a continuous, dynamic basis, goes far to enhance picture contrast. don’t see the gaps that are sometimes visible between CCFLs. (This artifact, which is often referred to as screen “clouding,” crops up regularly in our reviews of standard, non- LED-based LCD TVs.) blue. (The green, red, and blue light combine to make white.) Sony has trademarked this technology Triluminos. The advantage is that the exact colors of red, green, and blue can be chosen independently to give a potentially wider color gamut than a TV using white LEDs. However, Triluminos is more expensive to implement than a white LED array, and other manufacturers have been able to meet or exceed the HDTV color gamut specifications using just white LEDs. |